Facebook & Instagram ads management in the UAEFacebook and Instagram ads that bring buyers.

Yes, when tracking is accurate and creative is tested properly. Meta remains one of the most cost-effective ways to reach customers at scale.

Yes. I plan and produce static, carousel and video creative, or work with your designers.

Yes. I plan social advertising across Meta, TikTok, Snapchat and LinkedIn based on where your customers are.

With qualifying questions in forms, better optimisation events and CRM feedback so the algorithm learns what a good lead looks like.

Yes. I'm actively working with UAE brands, with campaigns in English and Arabic and pricing in AED.

Yes. Separating real leads from casual WhatsApp taps is often the first fix I make.

You set the budget yourself, and the cost per result depends on your audience, competition, season and creative quality. Costs vary widely between industries and countries. I'd suggest a test budget that gives Meta enough data to learn, then scale only what's working. My management fee is quoted separately in a custom proposal after the audit.

For many, yes. Meta lets you reach people by interests, behaviour and location even before they search, which suits consumer products, local services, events and lead generation. It works when the offer is clear, the creative stops the scroll and tracking is set up properly. Without those, small budgets disappear quickly.

You usually don't have to choose. Both run from the same Meta ads manager, and letting Meta place ads across both often gives better results than forcing one. Instagram tends to suit visual and younger audiences, Facebook can reach older buyers and community groups. I review placement results and adjust once real data comes in.

Common reasons are weak creative, an offer that isn't compelling, a slow or mismatched landing page, the wrong campaign objective, or broken pixel and Conversions API tracking. Sometimes the ads are fine but leads aren't followed up quickly. I check each step from ad to sale to find where people drop off.

Give a new ad set at least several days and enough conversions to leave the learning phase before making big changes. Editing too often resets learning and makes results look worse. That said, if an ad is clearly failing on clicks and cost after a reasonable spend, I pause it and test new creative rather than waiting.

There isn't one winner. Short videos, user-style content, carousels and simple images all work in different situations. What usually matters most is the first few seconds, a clear hook and an offer that speaks to a real customer problem. I test several creative angles at once and let the data show what your audience responds to.

Not always. Lead forms, Messenger, WhatsApp and Instagram direct messages let people contact you without leaving the app, which works well for services and local businesses. For e-commerce or higher-value sales, a fast landing page usually converts better and gives you more data. I'll recommend the setup that fits your sales process.

The Meta Pixel tracks actions on your website, and the Conversions API sends the same events from your server so fewer are lost to browsers and privacy settings. Together they help Meta optimise for real buyers and leads. I set both up properly, respecting privacy and consent rules such as GDPR where they apply.

Targeting has become broader, and Meta's algorithm now does much of the work, guided by your creative and conversion data. I still use location, language and age settings, custom audiences from your customer lists and website visitors, and lookalikes where useful. Good creative that speaks clearly to your buyer is now the strongest targeting tool.

Yes, if they're planned for it. B2B buyers use Facebook and Instagram too, just not with buying in mind. I use useful lead magnets, retargeting of website visitors and customer list audiences, then qualify leads carefully. For a Saudi printing firm we generated 600 marketing-qualified leads in three months using this kind of approach.

Retargeting shows ads to people who already visited your website, watched your videos or engaged with your page. These people know you, so they often convert at a lower cost. Most businesses should use it, with frequency kept under control so you don't annoy people. It works best alongside campaigns that bring in new audiences.

Restrictions usually come from ads Meta considers to break its policies, such as sensitive claims, before-and-after images, restricted categories or sudden changes in payment or login activity. Sometimes it's an automated mistake. I review the flagged ads, fix what's needed and submit appeals through the proper channels. I can't promise every appeal succeeds, but most issues are resolvable.

When performance drops and frequency rises, it's time for new creative. For active accounts that can mean fresh ads every few weeks, while smaller budgets can run longer. I keep a steady pipeline of new angles and formats so we're never stuck waiting when an ad fatigues.

Yes. I've run campaigns in English, Arabic and other languages across the Gulf, Europe and beyond. Each language gets its own creative and copy written for that audience, not a direct translation. This matters especially in markets where people switch between languages, and I check results by language so budget goes where it performs.

Yes, always. Your Business Manager, ad account, pixel, pages and audiences stay in your name. I work through partner access, which you can remove at any time. That way your data, history and creative remain yours whether we work together for a month or for years.